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Magesy® R-Evolution™

  • BeatKangz: Virtual Beat Thang Pro v2.0.1 VSTi x86 WiN-AiR
    2 June 2020
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    BeatKangz: Virtual Beat Thang Pro v2.0.1 VSTi WiN-AiR

    BeatThang Pro v2.0.1 VSTi x86 WiN

    Team AiR | 11/2010 | 518 MB

    P2P | Jun 26, 2013 | 1.04 GB

    Includes SOUNDS: WAV, NKI / All Kits Only, No Instruments

    Ever wish you had a user-friendly music making software program so you could crank out your own Platinum-ready beats, tracks and songs? Well, look no further. The first REAL Beat Machine for your computer is here – BEAT THANG VIRTUAL. Beat Kangz Electronics, an independent music technology company, continues the time honored American tradition of ingenuity and innovation by BRINGING HEAT with the fun, easy to use BEAT THANG VIRTUAL. Whether you’re a rookie beat maker or a seasoned vet, BEAT THANG VIRTUAL is packed with power, flexibility, effortless operation and value.

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    12823 Views
  • TriTone-Digital HYDRATONE v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital HYDRATONE v1.xx WiN MAC

    HYDRATONE v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

    AU, VST, RTAS, x86

    HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

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    15786 Views
  • TriTone-Digital VALVETONE 62 v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital VALVETONE 62 v1.xx WiN MAC

    VALVETONE 62 v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

    AU, VST, RTAS, x86

    ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.

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    20224 Views
  • TriTone-Digital ANGELTONE v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital ANGELTONE v1.xx WiN MAC

    ANGELTONE v1.xxWiN MAC

    TEAMS AiR/ArCADE | 2007/2008 | WiN: 22 MB | MAC: 18.92 MB

    AU, VST, RTAS, x86

    AngelTone is a digital mastering EQ that utilizes “state-of-the-art modeling” to combine analog mastering EQ sweetness with digital precision and recall. AngelTone features five bands. Three bands are capable of full-range parametric operation. The two extreme bands feature both full-range peaking and shelving EQ modes. All parametric and peaking bands have access to the entire range of EQ frequencies available in AngelTone, allowing for powerful sculpting and precision.

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    8107 Views
  • TriTone-Digital CLASSICTONE-56 v1.x WiN MAC
    22 May 2020
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    CLASSICTONE-56 v1.x WiN MAC

    CLASSICTONE-56 v1.x WiN MAC

    AiR/ArCADE | 2007/2008 | MAC: 5.64 MB | WiN: 4.38 MB

    AU, VST, RTAS, x86

    ClassicTone-56 is a true-to-the-original recreation of one of the best sounding graphic EQs ever made. These graphic EQs are found in consoles and lunch boxes around the world and are prized for their punchiness and girth. ClassicTone-56 features 10 bands. From low to high the bands are: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands are capable of 12 dB of boost or cut.

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    8221 Views
  • TriTone-Digital COLORTONE PRO v1.xx WiN MAC
    22 May 2020
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    TriTone Digital COLORTONE PRO v1.xx WiN MAC

    COLORTONE PRO v1.xx WiN MAC

    Teams AiR/ArCADE | 2007/2008 | 12 MB

    AU, VST,  RTAS,  x86

    ColorTone-Pro is a “Tone Box” which simulates the signal path of analog devices through the use of convolution and various proprietary non-linear processes. ColorTone is designed to provide analog-like character and flavor to the modern digital audio workstation. ColorTone-Pro allows the user to multiply the color of the selected circuit, increasing the color from magesy download the standard character to several times the original color.

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    14317 Views
  • TriTone-Digital PULTONE-FL v1.x WiN MAC-AiR-ArCADE
    22 May 2020
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    TriTone Digital PULTONE-FL v1.x WiN MAC-AiR-ArCADE

    PULTONE-FL v1.x WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 5.3 MB | MAC: 5.15 MB

    AU, VST, RTAS, x86

    PulTone-FL is a recreation of a super-sweet passive program filter set. This studio classic is one of the best ways to tweak and shape tracks to create space in a mix or to create limited frequency range effects like the classic “telephone” vocal. These are the smoothest filters for carving your tracks into new and unique shapes. PulTone-FL features two filter bands, one low-cut and one hi-cut. The frequencies for the low-cut are 50 Hz, 80 Hz, 100 Hz, 150 Hz, 250 Hz, 500 Hz, 750 Hz, 1 kHz, 1.5 kHz and 2 kHz. The frequencies for the hi-cut are 1.5 kHz, 2 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz and 15 kHz.

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    12484 Views
  • CDXtract v4.5 & 4.5.1 PC & MAC AiR-ArCADE
    15 May 2020
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    CDXtract v4.5 & 4.5.1 PC & MAC AiR-ArCADE

    CDXtract v4.5 & 4.5.1 WiN MAC

    Team: AiR | Date: 06/2007 | Size: 1.88 MB

    Team: ArCADE | Date: 20.12.2008 | 4.1 MB

    CDXtract converts all your sampler CDs (Akai, Roland, EMU, Kurzweil…) and files (Giga, Soundfont, Kontakt, Halion, EXS24…) so that you can use them in your Sampler software. CDXtract has been the reference Sampler Format converter since it was first released in 1999. The CDXtract technology is used inside half of the major Sampler software available today such as Halion or Stylus RMX.

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  • Tube-Tech PE 1C v1.0.1 VST RTAS WiN-AiR
    14 May 2020
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    Tube-Tech PE 1C v1.0.1 VST RTAS WiN-AiR

    Tube-Tech PE 1C WiN

    TEAM AiR | 10/2010 | 13.21 MB

    The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from magesy download bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

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    19167 Views
  • Tube-Tech CL 1B v1.0.3 VST RTAS WiN-AiR
    14 May 2020
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    Tube-Tech CL 1B v1.0.3 VST RTAS WiN-AiR

    Tube-Tech CL 1B WiN

    TEAM AiR | DATE: 1/2010 | 30 MB

    Tube-Tech CL 1B is a true studio classic, heard on tons and tons of records for the past 20 years. Like its hardware counterpart, the Tube-Tech CL 1B native plug-in sounds soft, smooth, groovy and can compress an insane amount of dB’s without sounding bad. The CL 1B plug-ins by Softube are the only Tube-Tech plug-ins that are fully endorsed by Tube-Tech. This version requires no DSP hardware but uses the same outstanding modeling technology and algorithms as the famous Tube-Tech CL 1B plug-in for TDM and PowerCore (distributed by TC Electronic). The sound is of course just as fantastic as its predecessor. With this unprecedented accuracy, down to details such as the precise VU meter behaviour, the Tube-Tech CL 1B plug-in is definitely in a league of its own.

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    1812 Views


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